In unthinking, stunned reaction, Maria ("Jenny") Benchley cried out "Why couldn't it have been Robert?! "[37], Following word of Benchley's resignation, freelance offers began piling up. He enlisted in the U.S. Navy prior to the attack on Pearl Harbor and served as a public relations officer and on convoy duty in the Atlantic on destroyers and patrol craft. Worn down, Benchley moved to his next commitment, an attempt at a talking film version of "The Treasurer's Report." According to Mr. Altman, when the urn that was supposed to contain his ashes was In America there are two classes of travel - First Class, and with '', See the article in its original context from. [70] This character, labeled the "Little Man" and in some ways similar to many of Mark Twain's protagonists, was based on Benchley himself; the character did not persist in Benchley's writing past the early 1930s, but survived in his speaking and acting roles. Benchley, who had also been offered a syndicated column by Hearst, was able to film the shorts in New York and keep up with his new column. Each summer, aware of the increasing the threat of polio in NYC, dad would send my mom and us three kids to Nantucket for the summer. I enjoyed this article, thank you. The Lampoon position opened a number of other doors for Benchley, and he was quickly nominated to the Signet Society meeting club as well as becoming the only undergraduate member of the Boston Papyrus Club at the time. In what the local press dubbed "the Chinese professor caper," Soong was played by a Chinese-American who had lived in the United States for over thirty years, and pretended to answer questions in Chinese while Benchley "translated. This experience was not as positive, and most of Benchley's contributions were excised and the final product, Funny Face, did not have Benchley's name attached. A second son, Robert Benchley, Jr., was born in 1919. His experience there was not much better, and when an opportunity was offered to return to the Tribune under new editorial management, Benchley took it. [48], During the time that Benchley was filming various short films, he also began working at The New Yorker, which had started in February 1925 under the control of Benchley's friend Harold Ross. Robert Charles Benchley (September 15, 1889 November 21, 1945) was an American humorist best known for his work as a newspaper columnist and film actor. Another English professor recommended that Benchley speak with the Curtis Publishing Company; but Benchley was initially against the idea, and ultimately took a position at a civil service office in Philadelphia. Benchley was invited to be theatre critic for The New Yorker in 1929, leaving Life, and contributions from Woollcott and Parker became regular features in the magazine. The name Robert Benchley seldom appears by itself anymore. [41] Unfortunately for Benchley, however, his writing a syndicated column for David Lawrence drew the ire of his World bosses, and "Books and Other Things" was dropped. "[64], Benchley's characters were typically exaggerated representations of the common man. Benchley re-entered Hollywood at the height of the Great Depression and the large-scale introduction of the talkie films he had begun working with years before. His first novel Sail a Crooked Ship (1960) was filmed by Columbia Pictures in 1961. [3][7], Edmund's fiance Lillian Duryea, a wealthy heiress, doted on Robert for many years, and Edmund's death may have seeded the pacifist leanings seen in Robert's writing. He was not afraid to poke fun at the establishment (one piece he wrote was titled "Have You a Little German Agent in Your Home? WebGenealogy profile for Nathaniel Benchley Nathaniel Benchley (1915 - 1981) - Genealogy Genealogy for Nathaniel Benchley (1915 - 1981) family tree on Geni, with over 230 million profiles of ancestors and living relatives. He was elected to the Lampoon's board of directors in his third year. The Art of Fiction No. While Benchley was more interested in writing than acting, one of his more important roles as an actor was as a salesman in Rafter Romance, and his work attracted the interest of MGM, who offered Benchley a lot of money to complete a series of short films. While some of his pieces would not have been out of place in a crackerbarrel-style presentation, Benchley's reliance on puns and wordplay resonated more with the literary humorists, as shown by his success with The New Yorker, known for the highbrow tastes of its readers. While the two styles were, at first glance, diametrically opposed, they coexisted in magazines such as Vanity Fair and Life. It was the perfect time While some of his pieces would not have been out of place in a crackerbarrel-style presentation, Benchley's reliance on puns and wordplay resonated more with the literary humorists, as shown by his success with The New Yorker, known for the highbrow tastes of its readers. URL accessed May 19, 2007. Below is sunset over Nantucket as seen from Rob and Carols front yard Im sure Rob has better sunset photos than this, but this ones mine. His legacy includes written work and numerous short film appearances. Following the printing of two books of his old New Yorker columns, Benchley gave up writing for good in 1943, signing one more contract with Paramount in December of that year.[60]. All rights reserved. On one of these, Benchley wrote out, in very small handwriting, an elaborate excuse involving a herd of elephants on 44th Street. [45], Things changed again for Benchley a number of years into the arrangement. In 1940 Benchley appeared in Alfred Hitchcock's Foreign Correspondent for which he is also credited as one of the dialogue writers. The result was No Sirree! In Milwaukee last month a man died laughing over one of his own jokes. He wrote two articles a week; the first a review of non-literary books, the other a feature-style article about whatever he wanted. He took a position with Curtis shortly after he received his diploma. His humor and style began to reveal themselves during this time: Benchley was often called upon to entertain his fraternity brothers, and his impressions of classmates and professors became very popular. That is as far as I got. [43] He continued meeting with his friends at the Algonquin, and the group became popularly known as the Algonquin Round Table. He was transferred to the Pacific in 1945. And as he said this his eyes filled with tears''). Benchley died of complications from cirrhosis of the liver in 1945 at the age of 56. Leacock admitted to occasional borrowing of a Benchley topic for his own reflection and writings. It was not well received, and was removed from the schedule. Along with his duties at the Lampoon, Benchley acted in a number of theatrical productions, including Hasty Pudding productions of The Crystal Gazer and Below Zero. But now he has been an islander for a long time. His funeral was private, and his body was cremated and interred in a family plot in Prospect Hill Cemetery on the island of Nantucket. Once he became well-known, therefore, people would often approach him at parties and at other social gatherings and greet him with, "Say something funny, Mr. We have The filming went by quickly, and though he was convinced he was not good, The Treasurer's Report was a financial and critical success upon its release in 1928. While the two styles were, at first glance, diametrically opposed, they coexisted in magazines such as Vanity Fair and Life. Dave Barry, author, onetime humor writer for the Miami Herald, and judge of the 2006 Robert Benchley Society Award for Humor,[75] has called Benchley his "idol"[76] and he "always wanted to write like [Benchley]. He was a very poor one, unable to get statements from people quoted in other papers, and eventually had greater success covering lectures around the city. [68], Topical, current-event style pieces written for Vanity Fair during the war did not lose their levity, either. Benchley participated in two more films that year: a second talking film he wrote, The Sex Life of the Polyp, and a third starring but not written by him, The Spellbinder, all made in the Fox Movietone sound-on-film system and released by Fox Films. By 1944 he was taking thankless roles in the studio's least distinguished films, like the rustic musical National Barn Dance. Benchley's humor was molded during his time at Harvard. He also made a name for himself in Hollywood, when his short film How to Sleep was a popular success and won Best Short Subject at the 1935 Academy Awards, and his many memorable appearances in films such as Alfred Hitchcock's Foreign Correspondent and a dramatic turn in Nice Girl?. Oh, yeah. An often overlooked influence upon Benchley's early professional career was the admiration and friendship of the Canadian economist, academic, and humorist Dr. Stephen Leacock. A guy would come in and pick out white appliances and then ask that they be shipped to Nantucket and held for pickup at the pier. The Robert Benchley Society. [11] Nathaniel also became a writer, and he published a biography of his father in 1955. [21], Benchley did copy work for the Curtis Company during the summer following graduation, while doing other odd service jobs, such as translating French catalogs for the Boston Museum of Fine Arts. Edmund's death had a considerable effect upon Robert's life. He is from USA. His arrival put him on the scene of a number of productions almost instantly. URL accessed May 21, 2007. During his first two years at Harvard, Benchley worked with the Harvard Advocate and the Harvard Lampoon. His re-entry into public speaking followed the annual HarvardYale football game in 1914, where he presented a practical joke involving "Professor Soong" giving a question-and-answer session on football in Chinese. TimesMachine is an exclusive benefit for home delivery and digital subscribers. His contract concluded with only four short films completed and no chance of signing another contract. "[83] Outsider filmmaker Sidney N. Laverents lists Benchley as an influence as well,[84] and James Thurber used Benchley as a reference point, citing Benchley's penchant for presenting "the commonplace as remarkable" in The Secret Life of Walter Mitty. Jaws author Peter Benchley. Benchley took this offer to Vanity Fair to see if they would match it, as he felt Vanity Fair was the better magazine, and Vanity Fair offered him the position of managing editor. "[69], Benchley's characters were typically exaggerated representations of the common man. He wrote brilliantly and hilariously for The New Yorker and Vanity Fair, won an Oscar and, by all accounts, acquitted himself with distinction at the Algonquin in New York.Up there with Dorothy Parker, et. The table gained prominence due to the media attention the members drew as well as their collective contributions to their respective areas. "[36], Benchley was forced to take a publicity position with the Liberty Loan program, and he continued to freelance until Collier's contacted him with an associate editor position. [27], Benchley started at the Tribune as a reporter. The work on The Sport Parade caused Benchley to miss the fall theatre openings, which embarrassed him (even if the relative success of The Sport Parade was often credited to Benchley's role), but the lure of filmmaking did not disappear, since RKO offered him a writing and acting contract for the following year for more money than he was making writing for The New Yorker.[56]. For this, if no other reason, Billy Altman's ''Laughter's Gentle Soul'' is a welcome addition. "[53] The film was well-received in preview screenings, and promotions took over, with a still from the film being used in Simmons advertisements. Word of it was published in Time by Alexander Woollcott, who was at a lunch with Benchley, Parker, and others. They can get positively irate at the prospect that their summer homes and mansions on the bluffs will not last forever, that the Atlantic is reclaiming Nantucket fast enough to make everyone jittery. Benchley was the protagonist in everything he wrote. URL accessed May 21, 2007. A painter (and writer) from a family of writers, Benchley lived on Baxter Avenue, Benchley became recognizable because of his short films, which would play in theaters before feature films, and he was already known for his humor writing. He wrote The Off-Islanders (filmed as The Russians Are It is Rob III and Carol, though, who have made their mark on Nantucket island as much or more so than any of the clan, and not really because Rob is an extraordinary photographer for the local papers and sometimes for the Boston Globe. They sent out a memo forbidding the discussion of salaries in an attempt to rein in the staff. career.) Be the first to ask a question about Robert Benchley Lists with This Book [30], At the Tribune, Benchley, along with new editor Ernest Gruening, was in charge of a twelve-page pictorial supplement titled the Tribune Graphic. [2] Robert Benchley was born on September 15, 1889 in Worcester, Massachusetts, to Charles and Maria Benchley.[3]. "[78] Outsider filmmaker Sidney N. Laverents lists Benchley as an influence as well,[79] and James Thurber used Benchley as a reference point, citing Benchley's penchant for presenting "the commonplace as remarkable" in The Secret Life of Walter Mitty. This experience was a poor one, as Brady was extremely difficult to work for. Born in Newton, Massachusetts to a literary family, he was the son of Gertrude Darling and Robert [28], Benchley filled in for P. G. Wodehouse at Vanity Fair at the beginning of 1916, reviewing theatre in New York. Radio Announcer, Author of books: Rob Benchley met his wife Carol at a Fourth of July party thrown in a Codfish Park house that has since washed out to sea. His shortcoming was the submission of a "scholarly paper" - which Benchley eventually rectified by a treatise on the U.S. - Canadian Fisheries Dispute, written from the point of view of a cod. The management sent out a memo forbidding the discussion of salaries in an attempt to rein in the staff. WebNathaniel Benchley died in 1981 in Boston, Massachusetts and was interred in the family plot at Prospect Hill Cemetery in Nantucket. Humor style James R. Gaines, Wit's End: Days and Nights of the Algonquin Round Table. [42] His reviews were known for their flair, and he often used them as a soapbox for issues of concern to him, whether petty (people who cough during plays) or more important (such as racial intolerance). While he completed his year's work, his condition continued to deteriorate, and he died in a New York hospital on November 21, 1945. Benchley, who had also been offered a syndicated column by Hearst, was able to film the shorts in New York and keep up with his new column. Benchley enrolled at Harvard University in 1908, again with Duryea's financial help. Proposed the following epitaph for his tombstone although it was not And probably, part of it was the ocean coming in, a sense of urgency, that there are important things to do. Owing to an academic failure in his senior year due to an illness,[22] Benchley would not receive his Bachelor of Arts from Harvard until the completion of his credits in 1913. From his beginnings at The Harvard Lampoon while attending Harvard University, through his many years writing essays and articles for Vanity Fair and The New Yorker and his acclaimed Brother of Lt. Edmund Benchley. Copyright Jeff Schult. Paramount did not renew his contract in 1943, and Benchley signed back with MGM with an exclusive contract. WebRobert Benchley was an actor who had a successful Hollywood career. The Benchley family was attending a public Fourth of July picnic when a bicycle messenger brought the notification telegram. We never quite learn what it was about Benchley's style or subjects that made him the most admired humorist of his generation and prompted James Thurber to remark, years after Benchley's death, that ''one of the greatest fears of the humorous writer is that he has spent three weeks writing something done faster and better by Benchley in 1919.''. I cut the Benchley house each week. New York Times, January 25, 2004. He later worked for Newsweek magazine as an assistant drama editor. When dad moved back upstate to Cortland he decided the upkeep on the cottage was too big a hassle. Gallery as well as at AAN. Benchley's contribution to the program, "The Treasurer's Report," featured Benchley as a nervous, disorganized man attempting to summarize an organization's yearly expenses. [39] Benchley's work was typically published twice a month. "), and his common man observations often veered into angry rants, such as his piece "The Average Voter," where the namesake of the piece "[F]orgets what the paper saidso votes straight Republicrat ticket. How to Sleep was named Best Short Subject at the 1935 Academy Awards, while the latter two shorts were not as well received. [54], This was followed in 1936 by How to be a Detective. Mrs. Parker and the Vicious Circle is a 1994 American film that depicts the Round Table from the perspective of Dorothy Parker. His humor and style began to reveal itself during this time; Benchley was often called upon to entertain his fraternity brothers, and his impressions of classmates and professors became very popular. Benchley, Parker, and Sherwood responded with a memo of their own, followed by placards around their necks detailing their exact salaries for all to see. He did especially well in his English and government classes. [35] Sherwood, Parker, and Benchley became close, often having long lunches at the Algonquin Hotel. That's what makes it so tough for us outsiders: we have to fight home His star is located at 1724 Vine Street. AKA Robert Charles Benchley. Although Benchley was known for misleading and fictional autobiographical statements about himself (at one point asserting that he wrote A Tale of Two Cities before being buried at Westminster Abbey),[1] he actually was the great-grandchild of the founder of Benchley, Texas: Henry Wetherby Benchley who was jailed for his help with the Underground Railroad. From Toronto Leacock closely followed the increasing body of Benchley's published humor and wit, and opened correspondence between them. Babette Rosmond, Robert Benchley: His Life and Good Times. Film director/producer, Norman Jewison made Benchleys 1961 novel The Off-Islanders into a motion picture titled The Russians Are Coming, the Russians Are Coming for which he received the nomination for an Academy Award for Writing Adapted Screenplay. [75], In his films, the common man exaggerations continued. is buried in the family plot on Nantucket. [23] In September, he was hired by Curtis as a full-time staff member, preparing copy for its new house publication, Obiter Dicta. ", then standing by her side at the age of nine. May 2003. The only group not pleased was the Mellon Institute, who did not approve of the studio mocking their study. ATTRACTIONS INCLUDE: MONDAY, 3rd Concert and Talent Quest. List of Robert Benchley collections and film appearances, Robert Benchley and the Knights of the Algonquin. It was not well received, and it was removed from the schedule. Benchley was later known for writing elaborately misleading and fictional autobiographical statements about himself (at one point asserting that he wrote A Tale of Two Cities before being buried at Westminster Abbey). In this capacity Paramount cast him in the 1945 Bob Hope-Bing Crosby comedy Road to Utopia; Benchley interrupts the action periodically to "explain" the nonsensical storyline. The situation was not positive for Benchley, as the studio "mishandled" him and kept Benchley too busy to complete his own work. [21] He continued his attempts to develop his own voice within the publication, but Benchley and Curtis were not a good match and he eventually left,[22] as Curtis was considering eliminating Benchley's role and Benchley was offered a position in Boston with a better salary. Geni requires JavaScript! He wrote a biography of his father Robert in 1955. The character is often befuddled by many of the actions of society and is often neurotic in a "different" way the character in How to Watch Football, for instance, finds it sensible for a normal fan to forgo the live experience and read the recap in the local papers. The work on The Sport Parade caused Benchley to miss the fall theatre openings, which embarrassed him (even if the relative success of The Sport Parade was often credited to Benchley's role), but the lure of filmmaking did not disappear, since RKO offered him a writing and acting contract for the following year for more money than he was making writing for The New Yorker.[51]. 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