The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. We are committed to addressing these issues, and to review and update our records accordingly. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. #QWERRRKOUT Tuesday: Drag Has Been My Liberation in This Country- AngelinaFierce, RuPauls Drag Race All Stars 8 Premieres May 12th, Raja & Willow Pill RuView RuPauls Drag Race Season 15s Reunion Looks Watch, Canadas Drag Race Snatches Six Awards at 2023 Canadian Screen Awards. [9], The statue has inspired artists such as Jeff Koons and Matthew Darbyshire to create their own versions in plaster and polystyrene, respectively. He used it with varying pressure to create lines that swell and taper, and which communicate form and energy. It depicts a muscular, yet weary, Hercules leaning on his club, which has the skin of the Nemean lion draped over it. The Met's collection of drawings and printsone of the most comprehensive and distinguished of its kind in the worldbegan with a gift of 670 works from Cornelius Vanderbilt, a Museum trustee, in 1880. Web Accessibility Assistance, 2023 Herbert F. Johnson Museum of Art, Cornell University. The statue was a gift from its sculptor, Jason Seley, a professor of fine arts. You can change your preferences or opt out of hearing from us at any time using the unsubscribe link in our emails. (42.1 x 30.4 cm) Type: Print; . Contact us here. (41 x 30 cm) Gift of Paul Ehrenfest, Class of 1932, and Elizabeth K. Ehrenfest 77.028.007 See Also On View Condition report Provenance With Tomasso Brothers, Leeds and London; From whom acquired by Karsten Schubert Ltd Catalogue note The Farnese Hercules was first recorded at the Palazzo Farnese by Aldrovandi in 1556. Hercules en Omphale From related movement. The prominently sited statue was well liked by the Ancient Romans, and copies have been found in Roman palaces and gymnasiums: another, coarser copy stood in the courtyard of Palazzo Farnese; one with the feigned (but probably ancient) inscription "Lykippos" has stood in the court of Palazzo Pitti, Florence, since the sixteenth century. Painting was viewed by him and others at the time as the summit of achievement in the arts and much more prestigious than engraving. The sculpture has been reassembled and restored by degrees. Explore the Collections contains over a million catalogue records, and over half a million images. "The items in the collection were acquired or requisitioned by Cardinal Alessandro Farnese, who became Pope Paul III (1534 - 1549)."* Past, Students Students While published . 11079 More information? Membership Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. Goltzius' fame was such that when he went to Italy in 1590, he travelled incognito to avoid admirers. The Johnson Museum holds more than 40,000 works in its collection from around the world. In the next century, while the difficult craft of engraving would still be practiced by professionals as a means of reproducing the artwork of others, the most talented artists would turn to the more easily mastered technique of etching. Together with the Flemish artist Bartholomus Spranger and his Mannerist figure ideal,. Perhaps, as was suggested by the eighteenth-century Dutch artist and collector Cornelis Ploos van Amstel, they are a self-portrait and a portrait of the artist's stepson Jacob Matham, who was also an engraver.The Farnese Hercules shows to excellent advantage the virtuosic technique that Goltzius had developed, in which the swelling and tapering line pioneered by Cornelis Cort is exaggerated to the point that it becomes a focus of interest in itself. Hendrick Goltzius (15581617). In Heilbrunn Timeline of Art History. In Scotland a rare copy in lead, from the first half of the eighteenth century, is sited incongruously in the central Highlands, overlooking the recently restored Hercules Garden in the grounds of Blair Castle. When Goltzius drew the statue, the legs he saw were substitutions that had been made by Guglielmo della Porta in 1560although the ancient legs had been found soon after the rest of the statue, Michelangelo convinced the Farnese that the modern ones were just as good. To refer to this object please use the following persistent URL: Do you have a remark or extra information on this object? The most astounding sheets are the so-called pen works, tour-de-force conflations of media in which Goltzius reproduced his own forceful swelling and tapering engraving lines in pen and ink, for example, Goltzius Right Hand (Teylers Museum, Haarlem), and in brush and oils in Sine Cerere et Baccho friget Venus (Without Ceres and Bacchus, Venus Would Freeze) (Philadelphia Museum of Art). Ithaca, NY 14853, Admission is free. Sign Up Broken headless torso from the Amphiareion of Oropos. The ancient Roman statue known as the Farnese Hercules had been discovered in the Baths of Caracalla in Rome in 1546, and installed in a courtyard of the Farnese family's palace on the banks of the Tiber, where it was one of the highlights of the Roman tour for visiting scholars, connoisseurs, and artists. This engraving of the giant Hercules Farnese (presently in the Naples Museum) is based on a statue Goltzius saw in Italy. Goltzius had a deformed right hand, the result of injury from a fire when . The Museum looks forward to receiving your comments. Gift of Henry Walters, 1917, Accession Number: Leaning on his knobby club which is draped with the pelt of the Nemean lion, he holds the apples of the Hesperides, but conceals them behind his back cradled in his right hand. The Farnese statue was moved to Naples in 1787 with most of the Farnese Collection and is now displayed in the Museo Archeologico Nazionale there. Upcoming Scroll left to view more. During construction of the Alameda de Hercules (1574) in Seville, the oldest public garden preserved in Europe, at its entrance were installed two columns from a Roman temple, elements of a building still preserved in the Mrmoles, an unquestionable sign of admiration for the Roman archaeological sites. Annual Fund At the Palace of Versailles is a copy by Jean Cornu (168486). In later drawings and prints, Goltzius repeatedly tried to outdo earlier masters like Albrecht Drer by creating new works in their techniques and styles. There, he studied works of art from Antiquity, among them, the famous statue of the Farnese Hercules, which had not been unearthed until the 1540s, and is located in the Museo Archeologico Nazionale, Naples, today. You will receive mail with link to set new password. Hendrick Goltzius (Netherlandish, Mhlbracht 15581617 Haarlem), Date: The ancient Roman statue known as the Farnese Hercules had been discovered in the Baths of Caracalla in Rome in 1546, and installed in a courtyard of the Farnese family's palace on the banks of the Tiber, where it was one of the highlights of the Roman tour for visiting scholars, connoisseurs, and artists. Goltziuss engraving shows the victorious, virtuous hero of Greek mythology from behind so that we do not see the club in front of the rock, though we do espy the hide of the Nemean Lion and, in his right hand, the three apples of the Hesperides. Initiatives. [1] Like many other Ancient Roman sculptures it is a copy or version of a much older Greek original that was well known, in this case a bronze by Lysippos (or one of his circle) that would have been made in the fourth century BC. Colossal statue of Hercules, uncovered at the baths in Hippo Regius (Annaba), Algeria. Among the ancient sculptures that Goltzius studied in Rome was the Farnese Hercules, which Goltzius treated unorthodoxly from the rear to give full play to his mastery of swelling engraved lines to define and enhance the titanic back. To license this image or for more information please contact our Licensing team. Donating Artwork Hendrick Goltzius (15581617): Drawings, Prints and Paintings. [2] This original survived for over 1500 years until it was melted down by Crusaders in 1205 during the Sack of Constantinople. Hendrick Goltzius, active in Haarlem, was reckoned to be among the foremost copper engravers in the Netherlands when he embarked on a journey to Italy in 159091 that led him to Rome at the end of 1590. The statue is shown in the 1954 film Journey to Italy along with the Farnese Bull. Special Event Rental. ); Sheet: 45 33.4 cm (17 3/4 13 3/16 in.) He moved to Haarlem in 1577 and established his own print publishing business there around 1578. A copy of the sculpture is among the ten statues adorning the front yard of the Schlossgarten in Karlsruhe, Germany. This artwork is meant to be viewed from right to left. Admission to the the museum is always free. Hendrick Goltzius (Netherlandish, Mhlbracht 15581617 Haarlem). When Goltzius drew the statue, the legs he saw were substitutions that had been made by Guglielmo della Porta in 1560although the ancient legs had been found soon after the rest of the statue, Michelangelo convinced the Farnese that the modern ones were just as good.The two figures looking up at the massive statue in the lower right corner of the engraving have never been satisfactorily identified. Check out whats on view this season at the Museum and look back through our history. North America The Farnese Hercules, ca 1592. Hercules is caught in a rare moment of repose. As the line winds around the forms, expanding and contracting, it gives great sculptural force to the curves and bulges of the hero's body. Wong & Yeun! The rediscovered statue quickly made its way into the collection of Cardinal Alessandro Farnese, grandson of Pope Paul III. 'Goltzius worked in Haarlem from 1575 and around 1590--1 studied Renaissance and Ancient Roman art in Italy. Like his illustrious predecessors Albrecht Drer and Lucas van Leyden, Goltzius expressed his artistic ambitions in scenes from the Bible, but he also illustrated episodes from classical mythology, often choosing erotic subjects. Their position helps to convey the scale and physicality of the sculpture, and their attentive viewing highlights its importance. The young Rubens made quick sketches of the planes and massing of the statue of Hercules. The engraving by Goltzius, unusual for its viewpoint and its inclusion of observers, was one of a long series that had spread the fame of the statue, including one by Jacob Bos (41.72[2.63]) that provides the more common front view of the Hercules. The Farnese Hercules circa 1591-1592 16th century 42.2 cm x 30.4 cm (16 5/8 in. HENDRICK GOLTZIUS (1558-1617) The Farnese Hercules engraving, 1592, on laid paper, watermark Fleur-de-Lys in Crowned Shield with pendant Letters WR (similar to Laurentius 434), a fine impression, with small margins, the lower left sheet corner outside the subject repaired and partially made up, two small repaired paper losses in the lower right margin, a few short tears and tiny nicks at the . Statuette of 2nd century AD, in Detroit Institute of Arts. He made a long-awaited journey to Italy in that year and such was his fame that he was said to have traveled incognito, covering his recognizable burned hand. Please take a moment to fill your information and confirm your subscription. Africa Hendrick Goltzius reached his peak as a printmaker in the mid-1590s. 3, 6 hours ago - 3,359 works Hendrick Goltzius Title The Farnesian Hercules, plate one from Three Famous Antique Sculptures Place Netherlands (Artist's nationality) Date 1587-1597 Medium Engraving on paper Dimensions Image: 39.8 29.3 cm (15 11/16 11 9/16 in. He trained a number of engravers to work in his style and a large part of their production was centered around prints after the masters designs and in his distinctive engraving style, for example, The Fall of Phaeton (1992.376;49.97.662). All rights reserved. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. 1592, dated 1617 Medium: Engraving Dimensions: sheet: 16 9/16 x 11 15/16 in. It shows Goltzius's bulging-muscle figure style at its most extreme. The statue was purchased soon after its discovery by Cardinal Alessandro Farnese and displayed in the family's residence in Rome, the Farnese Palace, until the late eighteenth century. Born in Germany near the border of the Netherlands, Goltzius was burned in a fire as a child, an accident that permanently damaged his right hand. Cum privilig./Sa.Ca.M., caption: Domito triformiorbis Hercules. Teachers This work represents, however, only a fraction of his entire oeuvre, which includes some 500 drawings and about 50 paintings, in addition to some 160 individual prints and series of prints that he and his workshop produced. Credit Line Museum Advisory Council, Visit Our website uses cookies. 1592, dated 1617, Dimensions: Orenstein, Nadine. Before photography, prints were the only way to put the image into many hands. The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars. They are often identified as Goltzius himself and his stepson Jacob Matham. (42.1 x 30.4 cm) Classification: Prints Credit Line: Gift of Henry Walters, 1917 Accession Number: 17.37.59 Hercules en Deanira From related movement. x 11 15/16 in .) It is a working database that includes information compiled over the life of the museum. Hendrik Goltzius. Nadine Orenstein Alessandro Farnese was well placed to form one of the greatest collections of classical sculpture that had been assembled since antiquity. 17.37.59. The sharply defined quality of line engraving is produced with a tool called a burin, which consists of a steel rod with a sharpened point and bevelled edge. Later (in 1591) Goltzius recorded the less-common rear view, in a bravura engraving (illustration, right), which emphasizes the already exaggerated muscular form with swelling and tapering lines that flow over the contours. Check here for current hours and more. 20002023 The Metropolitan Museum of Art. The sculpture was admired from the start, reservations about its exaggerated musculature only surfacing in the later eighteenth century. We can manage your request more quickly if you include the following information: By downloading this image you agree that you will not use it commercially, as defined in our full. Hercules was frequently associated with the Dutch in their rebellion against Spain, and one interpretation of his odd appearance is that he was meant as an embodiment of the Dutch nation. Public domain data for this object can also be accessed using the Met's Open Access API. Upcoming The engraving by Goltzius, unusual for its viewpoint and its inclusion of observers, was one of a long series that had spread the fame of the statue, including one by Jacob Bos that provides the more common front view of the Hercules. Does this record contain inaccurate information or language that you feel we should improve or change? Hendrick Goltzius reached his peak as a printmaker in the mid-1590s. This Hercules is almost an inflated version of the lithe Apollo of a year earlier (51.501.3). #Engaged!? Forgot your password? Leeflang, Huigen, et al. Victoria and Albert Museum, London, 2022. Save the artwork in any of your exhibitions or create a new one. Farnesian Hercules Hendrick Goltzius c. 1592 Kunsthalle Bremen Bremen, Germany Hendrick Goltzius, active in Haarlem, was reckoned to be among the foremost copper engravers in the Netherlands. The Farnese Hercules shows to excellent advantage the virtuosic technique that Goltzius had developed, in which the swelling and tapering line pioneered by Cornelis Cort is exaggerated to the point that it becomes a focus of interest in itself. Herbert F. Johnson Museum of Art He was the number-one Dutch engraver of the early Baroque period, noted for his sophisticated technique and the exuberance of his compositions. Goltzius gained no less international recognition for his paintings influenced by Titian and Rubens. Farnese Hercules, Artist: Goltziuss particular fascination for this Antique work of art finds expression in the unusually low vantage point and in the admiring gazes of the two viewers, these most likely being the artist himself and his son-in-law Jacob Matham. Goltzius, a virtuoso printmaker, studied the sculpture during a sojourn in Rome in 1591 and later strove to convey the experience of viewing the breathtaking statue in this engraving. The Farnese Hercules is a massive marble statue, following a lost original that was cast in bronze through a method called lost wax casting. As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes. Visit our Instagram page, University Privacy Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee. Kids Log In 20002023 The Metropolitan Museum of Art. His superb engravings were much sought-after in the young Dutch Republic and further a. 70, Hercules FarneseDrie antieke beelden te Rome (series title). A cookie is a small text file which will be saved on your computer or mobile device when you visit our website. Upcoming The artifice of Sprangers Mannerist figure style appears for instance in Apollo (51.501.3). https://www.metmuseum.org/art/collection/search/343588. Hendrick Goltzius, The Farnese Hercules, c. 1592-1617, engraving on laid paper, 42.4 x 30.8 cm; plate: 41.6 x 30 cm, National Gallery of Canada. Ambitious throughout his career, as a publisher he intended from the beginning to produce engravings of high artistic and technical quality for an international public of connoisseurs and art lovers and to break the monopoly on print publishing that had been held since the mid-sixteenth century by print producers in Antwerp. (42.1 x 30.4 cm), Dutch and Flemish Artists in Rome, 1500-1600, Prints and People: A Social History of Printed Pictures, How Prints Look: Photographs with a Commentary, The Dead Saviour and the Four Evangelists, Dissension in the Church (Dissidium in Ecclesia). The Johnson Museum actively contributes to the intellectual life of our campus and community. Goltzius, Hendrik (engraver (printmaker)). Goltzius and his students and followers represent the last heroic age of engraving. Prints, Credit Line: Millie Bobby Brown is Getting Married to Jon Bon Jovis 20 Year-Old Son Jake!? 10, 11 hours ago - 70 works The enlarged copy was made for the Baths of Caracalla in Rome (dedicated in 216 AD), where the statue was recovered in 1546,[3] and is now in the Museo Archeologico Nazionale in Naples. Broken headless torso of 2nd or 3rd century AD, in Museum of Saint-Raymond in Toulouse. Read our cookie policy. New York. Goltzius (1558-1617), was a German-born Dutch printmaker, draftsman, and painter. St. Jerome Reading in an Italian Landscape, The Circumcision (Life of the Virgin Series), Landscape with Trees and Distant View of a City, Museum Purchase made possible by the Friends of the Museum of Art, W17, Gross - MOVESCI 230 -Musculoskeletal Anatomy, Northern Renaissance and Reformation-Era Art, PAST: Works selected for the course AAS 208 / HISTART 208Introduction to African Art: 100 African Objects. 1592 Engraving 16 1/4 x 11 5/8 in. Signup or Login Department of Drawings and Prints, The Metropolitan Museum of Art. Tot 1787 stond dit beeld in het Palazzo Farnese, vandaar de benaming Hercules Farnese. Brooke Shields! Goltzius translated to paper the plasticity of the muscular, marble body by drawing sweeping lines that rise and fall with his burin, creating volume by means of a lively play of light and shade. Annual Fund Faculty and Instructors All Hercules Farnese, Hendrick Goltzius, 1617 engraving, h 419mm w 303mm More details. The publication in 1961 of E. Reznicek's catalogue rai-sonn of Goltzius's drawings, and an article by H. Miedema in 1969, established a theory on the . Language links are at the top of the page across from the title. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more. Past. Staff Cornell University Log in. Australia, New Guinea, and New Zealand It was Goltzius' poor health as well as his desire to see the treasures of Rome that inspired him to travel to Italy in 159091. A replica, titled Herakles in Ithaca, was erected in 1989 on the campus of Cornell University in Ithaca, NY. Faculty and Instructors Provenance Research Search Our Collections Previous Piece Next Piece Click to enlarge image Back to collection Hendrik Goltzius Dutch, 1558-1617 The Farnese Hercules, ca. Color code: #DDD8D0 Color code: #BEB8B0 Color code: #F6F4F0 Color code: #918A84 Color code: #68615B Color code: #403C37. One of the most important engravers and print publishers of his time, he is most widely known today for the Mannerist engravings that he and his workshop produced during the period between 1585 and 1589. South America. HENDRICK GOLTZIUS (1558-1617) The Farnese Hercules engraving, circa 1592, on laid paper, with an indistinct Fleur-de-Lys watermark, a fine, early impression, with wide margins, in very good condition, framed Plate 416 x 300 mm., Sheet 498 x 366 mm. Seley created the sculpture in 1981 out of chrome automobile bumpers. South America, On View The sharply defined quality of line engraving is produced with a tool called a burin, which consists of a steel rod with a sharpened point and bevelled edge. Bronze statuette with silver-inlaid eyes of 4070 AD, This page was last edited on 14 March 2023, at 19:10. His versatility, passion for experimentation, and love of showmanship are fully revealed in his late drawings and prints. [5] Goethe, in his Italian Journey, recounts his differing impressions upon seeing the Hercules with each set of legs, however, marvelling at the clear superiority of the original ones. If you have comments or questions about this object record, please complete and submit this form. The Farnese Hercules (Italian: Ercole Farnese) is an ancient statue of Hercules, probably an enlarged copy made in the early third century AD and signed by Glykon, who is otherwise unknown; the name is Greek but he may have worked in Rome. Onder de voorstelling zes regels Latijn. He has just performed one of the last of The Twelve Labours, which is suggested by the apples of the Hesperides he holds behind his back. Year earlier ( 51.501.3 ) at the time as the summit of achievement in the 1954 film Journey Italy! A fire when physicality of the lithe Apollo of a year earlier ( 51.501.3 ) 1558-1617 ) was... 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Image or for more information please contact our Licensing team 2nd or 3rd century AD, Detroit... The mid-1590s community of students and followers represent the last heroic age engraving... Goltzius himself and his Mannerist figure ideal, a working database that includes information compiled over life! Farnese Bull quickly made its way into the collection of Cardinal Alessandro Farnese, grandson of Paul. Was melted down by Crusaders in 1205 during the Sack of Constantinople used it varying..., Mhlbracht 15581617 Haarlem ) are committed to addressing these issues, and love of showmanship are fully in... Of Drawings and prints 2nd century AD, in Museum of Art prints and Paintings ; s bulging-muscle figure at! He moved to Haarlem in 1577 and established his own Print publishing business there around.. Than 40,000 works in its collection from around the world he went to Italy along farnese hercules goltzius the artist. 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Johnson Museum of Art to left shown in the later eighteenth century and by!
